Musically, the songs follow the thread of Department of Eagles’ swervy take on classic pop in the vein of Randy Newman, Van Dyke Parks, Paul Simon, and Lennon and McCartney solo. Nicolaus, who generally wrote the simpler, poppier material in DoE, followed the mold of “take a straightforward, direct song and play with it until there’s something interesting going on.” Working outside of the band was a chance to indulge in production ideas that wouldn’t have flown within it, like the Graceland-inspired one-two beat and female vocals on “Swimming in ’99” or the unadorned piano ballad feel for “Restaurant Song.”
Throughout the recording process, Nicolaus played most of the instruments, but had help from a talented group of friends including Chris Bear and Chris Taylor from Grizzly Bear; Fraser McCulloch from Milagres (who engineered the album); Becca Kauffman and Felicia Douglass from Ava Luna; Kris Nolte and Ian Davis from Mason Jar Music (who arranged strings); and Daniel Rossen (who sang harmonies and was an all-around supportive spirit). All in all, the album took about two years of writing and recording in several studios and psuedo-studios in Brooklyn to finish.